Samsung Product Innovations Essay Sample free essay sample

Swot Aol Time Warner Essays - SWOT, Strategic Management, AOL

Swot Aol Time Warner Propelled Search Preferences Language Tools Search Tips Web Images Groups Directory Looked the web for SWOT aol . Results 41 - 50 of around 1,200. Search took 0.20 seconds. AOL - Try AOL 7.0 FREE! 1000 Hours for 45 days! free.aol.com 7 E-mail Addresses, Instant Messaging and that's just the beginning! Attempt it today Supported Link The Guide2GiftBiz Homepage ... Well something very similar goes for your email. Let's be honest - [emailprotected] or [emailprotected] simply doesn't give that warm fluffy sentiment of certainty to ... www.guide2giftbiz.com/ - 24k - Cached - Similar pages [PDF] Quality News Document Format: PDF/Adobe Acrobat - View as HTML ... what's more, 3 what is known as a SWOT (Strengths, Weaknesses, Opportunities, and Threats) investigation ... 522-2803 or on the other hand email [emailprotected] . Montana Area Members Our Montana ... eastidahoasq.hypermart.net/feb_2001_newsletter.pdf - Similar pages [PDF] 9 ? ? ? ? ? ? ? ? Record Format: PDF/Adobe Acrobat - View as HTML The synopsis for this Japanese page contains characters that can't be effectively shown in this language/character set. www.net.intap.or.jp/INTAP/cdn/cdn_2-9.pdf - Similar pages BA 8993/Strategic and International Management ... specialized issues you are having with AOL. If it's not too much trouble hope to give complete consideration ... the course. Two required apparatuses are SWOT and Five-Force investigation. You ... www.gsu.edu/~mgtrhh/8993f01i.htm - 68k - Cached - Similar pages Understand News ... Ever Onward''. Email Address: [emailprotected] (PUC/AUP CYBER-LINK ... School conversation, spinning around the ''SWOT'' (qualities, shortcomings, openings and ... www.filipinoadventist.org/network/announcement/news.asp?SectionID=1&ArticleID=626 - 26k - Cached - Similar pages Understand News ... HOLDS RETREAT by CJR Miranda IV, MD [emailprotected] ... conversation, spinning around the ''SWOT'' (qualities, shortcomings,. openings and dangers) investigation of the ... www.filipinoadventist.org/network/announcement/news.asp?SectionID=1&ArticleID=619 - 46k - Cached - Similar pages [ More outcomes from www.filipinoadventist.org ] Euroseek - Roller Coasters ... first drop. http://www.coasterphotos.com/SWOT/steeleel.htm 5. Kennywood Park Roller ... its annihilated ancestor. http://members.aol.com/RobbRipken/knoebel.html 7 ... webdir.euroseek.net/page.php/United+States/Lifestyle/Hobbies/Hobbies&Interests+A-Z/Interests+Q-R/Roller+Coaster+Fans/Roller+Coasters?ct=world - 28k - Cached - Similar pages Google Directory - Business * Management * Strategy and ... Business

The story of an ant

The story of an ant One morning I wasted nearly an hour watching a tiny ant carry a huge feather across my back terrace. Several times it was confronted by obstacles in its path and after a momentary pause it would make the necessary detour. At one point the ant had to negotiate a crack in the concrete about 10mm wide. After brief contemplation the ant laid the feather over the crack, walked across it and picked up the feather on the other side then continued on its way.I was fascinated by the ingenuity of this ant, one of Gods smallest creatures. It served to reinforce the miracle of creation. Here was a minute insect, lacking in size yet equipped with a brain to reason, explore, discover and overcome. But this ant, like the two-legged co-residents of this planet, also shares human failings. After some time the ant finally reached its destination a flower bed at the end of the terrace and a small hole that was the entrance to its underground home. And it was here that the ant finally met its match. Ho w could that large feather possibly fit down that small hole? Of course it couldnt. So the ant, after all this trouble and exercising great ingenuity, overcoming problems all along the way, just abandoned the feather and went home.The ant had not thought the problem through before it began its epic journey and in the end the feather was nothing more than a burden. Isnt life like that! We worry about our family, we worry about money or the lack of it, we worry about work, about where we live, about all sorts of things. These are all burdens the things we pick up along lifes path and lug them around the obstacles and over the crevasses that life will bring, only to find that at the destination they are useless and we cant take them with us. Author Unknown

Narrative of the Life of Fredrick Douglass Essay - 1851 Words

Frederick Douglass was an orator and writer for the abolition movement. He was born into slavery and knows from personal experience how the institution dehumanizes everyone involved. His masters’ wife taught him the alphabet which was the start of Douglass learning how to write and speak out against slavery. His Narrative of the Life of Fredrick Douglass was an attempt to describe the peculiar institution of slavery with out disrupting the sensibilities of his readers. In order to accomplish this Douglass must get his audience to relate to and identify with his life as a slave. He incorporated the same exploitive techniques used in the sentimental novel. This was an 18th century European novel style that engaged readers’ emotions to†¦show more content†¦A mothers’ love is supposed to be unconditional yet his was taken from him. He uses the words â€Å"soothing† and â€Å"tender† to describe a relationship he never felt. It would be d iscomforting to the reader to imagine if they were forced to part with their own flesh and blood. In addition, Douglass makes the reader sympathize with him even more when he explains the news of her death. He compares her how he felt about her death to that of â€Å"†¦the death of a stranger†. This odd association reveals the lack of a true relationship and motherly connection. Whether it had been the death of his mother or a stranger he would have felt the same emotion. His readers could not imagine such a void in ones life. Fredrick Douglass started of by explaining how he was alienated and stripped of his identity ever since he could remember. Basic knowledge like knowing who ones parents were, ones own personal name, and even ones birthday were the foundations for which every individual bases and builds their identity. I have no accurate knowledge of my age, never having seen any authentic record containing it. By far the larger part of the slaves know as little ofShow MoreRelatedThe Narrative Of The Life Of Fredrick Douglass Essay2082 Words   |  9 Pagesliterature, and their voice is greatly heard through the constant iterations. Out of these iterations, the writings Fredrick Douglass has written set forth many of the standards the slave narrative would follow. Unlike many, however, his story The Narrative of the Life of Fredrick Douglass, is autobiographical, and therefore has a stronger presence than many of the subsequent fictional narratives. Critics at the time attacked the credibility of his words, and to this day many of the concerns African AmericanRead MoreNarrative Of The Life Of Fredrick Douglass1364 Words   |  6 Pagesperson, especially to slaves, as we have read in Fredrick Douglass’ â€Å"Narrative of the life of Fredrick Douglass† and as we have seen in many dif ferent excerpts in Eric Foner’s â€Å"Voices of Freedom.† While all slaves believed that slavery needed to be abolished before freedom could become available to them, there are two men I would like to talk about and compare their voices to those of the white supremacy seen in Foner’s â€Å"Voices of Freedom.† Fredrick Douglass’ and Olauduah Equiano (whose excerpt is alsoRead MoreThe Life Of Frederick Douglass s Narrative Of The Life Of Fredrick Douglass967 Words   |  4 Pagesslaves in the United States many slaves like Fredrick Douglass had to escape to fight for freedom to become abolitionists. To expose the terror and cruelties that he faced from his owners and overseers as a slave as narrated in â€Å"Narrative of the life of Fredrick Douglass.† Being a slave was difficult from the beginning. In the case of Fredrick Douglass he was a product of unwanted love. Born into slavery with no record or â€Å"accurate knowledge of age.†(Douglass) He was the son of Harriet Bailey, who wasRead MoreThe Narrative Of The Life Of Frederick Douglass By Fredrick Douglass859 Words   |  4 Pagesequally. In the Narrative of the Life of Frederick Douglass by Fredrick Douglass, Douglass described his life experience of suffering as a slave reflected the crucial conditions of slaves in the South slavery of Eighteenth Century. By drawing from his own experience, observation, and knowledge of being slavery in his narrative, he not only exposing the brutal nature of slavery, but also showing readers self-consciousness and efforts and struggle for freedom of a black slaves. Douglass s early unhappinessRead More The Narrative of the Life of Fredrick Douglass Essay1634 Words   |  7 PagesThe Narrative of the Life of Fredrick Douglass Metal clanks against metal as the chains rub on old scars issuing in another day of toil in the heat with head-down and blood streaming as each new lash is inflicted. This is usually the picture envisioned when one thinks of slavery. While often this is an accurate depiction, there are also many other forms of slavery. The Webster’s Dictionary describes slavery as, â€Å"submission to a dominating influence.† Everyone has influences that shape whoRead MoreThe Life Of Frederick Douglass s The Narrative Of The Life Of Fredrick Douglass 983 Words   |  4 Pagesin the United States many slaves like Fredrick Douglass had to escape to fight for freedom. To become abolitionists. To expose the terror and cruelties that he faced from his owners and overseers as a slave wrote in the â€Å"Narrative of the life of Fredrick Douglass.† ​Being a slave was difficult from the beginning. In the case of Fredrick Douglass he was a product of unwanted love. He was born into slavery with no record or â€Å"accurate knowledge of age.†(Douglass) He was the son of Harriet Bailey, whoRead MoreFrederick Douglass s Narrative Of The Life Of Fredrick Douglass1693 Words   |  7 Pagescity. Frederick Douglass the author of Narrative of the Life of Fredrick Douglass was born and raised on the plantation as a slave. From his early years Douglass experienced life as a slave on a plantation. He was soon relocated to Maryland at the age of seven to the slave owner’s brother Mr. Auld. Douglass is moved back and forth from the plantation to the city. The areas of food, treatment and punishment, and clothing were contrasting between plantation and city. His narrative reveals the complexityRead MoreNarrative of the Life of Fredrick Douglass: An American Slave873 Words   |  4 Pages The Narrative of the Life of Fredrick Douglass: An American Slave, is a save narrative written by Fredrick Douglass himself. The narrative comprises of eleven chapters that give an account of Douglass’ life as a slave, and his quest to get education and become free from the slavery institution. In this narrative, Douglass struggles to free himself from the mentally, physically, and emotional torture of slavery, and the slavery itself. Douglass was taken away from his parents at a tender age andRead MoreFrederick Douglass s Narrative Of The Life Of Fredrick Douglass1281 Words   |  6 PagesFredrick Douglass Outcomes of Sentimentalism In the â€Å"Narrative of the life of Fredrick Douglass, An American Slave, Written by Himself, written in the month of August 1841, demonstrates the double purpose of the work as both a personal account and a public argument. Douglass introduces the reader to his own circumstances such as grief, sorrow and emptiness in his birthplace and the fact that he does not know his own age. He then generalizes from his own experience, by explaining that almost no slavesRead MoreThe Narrative Of The Life Of Fredrick Douglass, An American Slave1271 Words   |  6 Pages In the â€Å"Narrative of the life of Fredrick Douglass, An American Slave, Written by Himself†, written in the month of August 1841, demonstrates the double purpose of the work as both a personal account and a public argument. Douglass introduces the reader to his own circumstances, such as grief, sorrow and emptiness in his birthplace and the fact that he does not know his own age. He then generalizes from his own ex perience, by explaining that almost no slaves know their true ages. He takes this detail

The Meaning of Love and Loss in Their Eyes Were Watching...

Their Eyes Were Watching God is a novel about a woman and the trials and tribulations that she goes through while trying to find the true meaning of love and loss. In the novel Janie struggles to find someone that honestly loves her and she has to deal with the lost she felt when the she realized that the love that she received is forever lost. Some major themes in the novel would be work, sexuality, freedom and love. All of these themes are important in understanding the novel. There are numerous patterns in Their Eyes Were Watching God that connects to other works in its genre. While analyzing the novel you are able to tell by the structure of the novel that the novel belongs in the genre of a romantic drama because there are a numerous amounts of exciting, surprising and unexpected events and the story focuses on the love that TeaCake and Janie has in the novel. The story has numerous amounts of unexpected events that was in the novel. One unexpected event would be when Janie had to kill TeaCake before TeaCake killed her. A quote that captures the dramatic nature of this particular scene would be â€Å"Now she was her sacrificing self with Tea Cake’s head in her lap. She had wanted him to live so much and he was dead. No hour is ever eternity, but it has its right to weep. Janie held his head tightly to her breast and wept and thanked him wordlessly for giving her the chance for loving service. She had to hug him tight for soon he would be gone, and she had to tell him forShow MoreRelated Finding Hope in Their Eyes Were Watching God Essay3095 Words   |  13 PagesFinding Hope in Their Eyes Were Watching God   Ã‚  Ã‚   Their Eyes Were Watching God recognizes that there are problems to the human condition, such as the need to possess, the fear of the unknown and resulting stagnation. But Hurston does not leave us with the hopelessness of Fitzgerald or Hemingway, rather, she extends a recognition and understanding of humanitys need to escape emptiness. Dem meatskins is got tuh rattle tuh make out theys alive (183) Her solution is simple: Yuh got tuh goRead More Hurstons Their Eyes Were Watching God1793 Words   |  8 Pagesjudgments may come. In Zora Neale Hurston’s novel, Their Eyes Were Watching God, the main character, Janie—an African American woman of the 1930’s, struggles with accepting the stereotypes that affect her life. She tries to fit in with them at the cost of her happiness and self-expression. Through her revelations and life changes that defy these stereotypes the audience discovers just how damaging and self-defeating stereotypes can be. Stereotypes can lead to loss of cultural pride and loss of self-expressionRead MoreEssay about The Growth of Janie in Their Eyes Were Watching God2970 Words   |  12 PagesTheir Eyes Were Watching God      Ã‚  Ã‚  Ã‚  Ã‚   Human beings love inertia. It is human nature to fear the unknown and to desire stability in life. This need for stability leads to the concept of possessing things, because possession is a measurable and definite idea that all society has agreed upon. Of course, when people begin to rely on what they know to be true, they stop moving forward and simply stand still. Zora Neal Hurston addresses these general human problems in her novel Their Eyes Were WatchingRead More Comparing Dreams in Catcher in the Rye, Night, and Their Eyes Were Watching God907 Words   |  4 PagesDreams in Catcher in the Rye, Night, and Their Eyes Were Watching God   Ã‚  Ã‚   Throughout the novels Catcher in the Rye, Night, and Their Eyes Were Watching God, the main characters seem to have a dream. In their stories, Holden, Elie, and Janie tell the reader whether or not their dream was successful.    In Catcher in the Rye, Holdens dream is to be the catcher in the rye, meaning he wants to stop children or anything that may still be innocent from falling over the edge. This basicallyRead MoreCommunication Is The Connection Of Our Society2922 Words   |  12 Pagesshaped in our everyday lives of literature. Defining symbolism; is the use of symbols to carry ideas and qualities by giving them symbolic meanings that are different from their actual sense; generally, people think symbols are just giving objects with life like meanings on a deeper level and understanding, which is true but, it’s how you give each symbol its meaning, and how it relate to your life. According to a professor named Shamekia Thomas there are two different forms of symbolism in literatureRead MoreTheir Eyes Were Watching Who?2015 Words   |  9 PagesOprah’s interpretation of Their Eyes Were Watching God sends multiple important details and significant events on a mass exodus, completely alt ering the story. With a different title, changing focus, unrecognizable characters, an altered theme, and the absence of symbolism, the entire meaning of the journey skews in this false interpretation of a classic novel. The elements of racial conflict and the purity of relationships are also replaced, removed, and distorted. All of the major details in theRead MoreTheir Eyes Were Watching God2179 Words   |  9 PagesIn Zora Neale Hurston’s novel, Their Eyes Were Watching God, Janie Crawford, the protagonist in the novel, returns home after a long period of time. She is welcomed back by unfriendly faces and vicious rumors and gossip about her past relationship with young Tea Cake, her third husband. The novel continues with Janie telling her friend, Pheoby Watson, her story in flashback form starting from when she was younger and lived with her grandmother. Janie retold her story about her three marriages withRead MoreThe Glass Menagerie, Their Eyes Were Watching God, And M y Name2015 Words   |  9 Pages In the books Candide, The Glass Menagerie, Their Eyes were Watching God, and My Name is Asher Lev written by Voltaire, Tennessee Williams, Zora Neale Hurston, and Chaim Potok, they are all discernibly different stories, yet they all appear to share the common theme of perseverance in varying degrees to find that happiness is not always awaiting them. I have found that the various symbolic language combined with each author’s different style of writing not only makes each story unique, but theyRead MoreHistory5499 Words   |  22 PagesNegro Renaissance,’’ a term that includes all African Americans, regardless of their location, who participated in this cultural revolution. Followers of the New Negro dicta, which emphasized blacks’ inclusion in and empowerment by American society, were undeniably spread throughout the nation, and most major cities had pockets of the African-American elite that W. E. B. Du Bois dubbed the ‘‘Talented Tenth.†™â€™ Nevertheless, New York City was, arguably, the most crucial site of this movement’s developmentRead MoreBrief Survey of American Literature3339 Words   |  14 Pagesceremoniesï ¼Ë†Ã¥â€¦ ¸Ã¤ » ªÃ¯ ¼â€° songs / chantsï ¼Ë†Ã¦â€º ²Ã¨ ¯ Ã¯ ¼â€° Anglo Settlers’ Writings Highly religious and pragmatic - John Smith, founder of Jamestown, Virginia; Pocahontas - John Winthrop, â€Å"A Model of Christian Charity†: â€Å"†¦ We shall be as a city upon a hill. The eyes of all people are upon us†¦Ã¢â‚¬  - William Bradford, Of Plymouth Plantation (1630-50, pub. 1856) - Anne Bradstreet (1612-1672), The Tenth Muse (1650), the first volume of poems published by a resident of the New World - Edward Taylor (1642-

Art History Study Notes Free Essays

Art Hist. Review Ancient Greek Art and Arch. (600 BCE-30 BCE) The Early Classical Period 480-450 BCE 5. We will write a custom essay sample on Art History Study Notes or any similar topic only for you Order Now 23 KRITIOS BOY Acropolis, Athens 480 BCE -Marble -He is self confident and serious looking -He is a sculpture in the round -The artist is believed to be KRITIOS -The statue has an S-curve to him and is in the contrapposto pose, which is when artists use tension and relaxation around the central axis of the body to increase to muscular tension and enhance the musculature of a body. It is shown here because his weight is all on the left foot, causing his hip to jut out. His right knee is slightly bent and he has a slight drop in his shoulders. -The artist also made a point to have his head slightly turned to hint that the viewer should take in the entirety of the piece. High Classical Period 450-400 BCE 5. 29 ACROPOLIS, ATHENS 447-432 BCE -In the High classical period which only lasted a half-century and set the standards for art and architecture. There was also turmoil between the Spartans and the Athenians in this time period which was referred to as the Peloponnesian War. -â€Å"Acro† means high and â€Å"polis† means city. The Acropolis of Athens was once considered a fortress and sanctuary but was later turned into a religious and ceremonial centre for Athena the cities patron and protector. -It was destroyed by Persian troops in 480 BCE and was going to be left and a memorial site of ruins but Perikles convinced them to rebuild it. 5. 31 Parthenon, Acropolis Athens 447-432 BCE -KALLIKRATES AND IKTINOS -Pantelic Marble -Has the pe diment, frieze, triglyph, metope, architrive, abacus, mechinus and necking -Athens, Corinth and Sparta. Depicted gods and goddesses who they believed were immortal and supernatural -Sanctuaries for gods and goddesses in form of outdoor alters—replaced by temples integrated into natural site -temples decorated with ceramic sculptures -mathematical proportions which artists use to convey structure and order 4:9 ratio 4Ãâ€"2+1 -human values of truth virtue and harmony -High classical period -plain capital -temple dedicated to Athena -stylobate floor columns rest on and stereobate foundation itself -post and lintel system -entasis columns slightly swell in the middle -Doric order plain capitals peace, prosperity and power through the building projects -transport wood, gold, marble and ivory -sculptures celebrate the Greek victory over Persians 5. 32 EAST PEDIMENT OF THE PARTHENON 447-432 BCE (ATHENS) – High Classical period 450-400 BCE -Sculpture in the round filled both pediments of the Parthenon -illustrated the birth of Athena, fully grown and clad in armor, from the brow of her father Zeus. -The statues from the west pediment are the best preserved of the two. -besides Zeus and the newborn Athena are three goddesses followed by a single reclining male figure who could be Diomysos or Herakles. In the left corner was Helios (sun god) in his horse-drawn chariot rising from the sea and to the right the moon god Selene descends in her chariot to the sea. -The running female figure in the center is Iris the messenger of the gods. P. G. 134 SPEAR BEARER (DORYPHOROS) 450-440 BCE (NAPLES) -POLYKLEITOS -Marble -developed canon of proportions system of measurement used to determine the proportions of the body -contropposto pose is balance and counterbalance one foot bearing weight and one not bearing the weight. In this case his right foot is the one bearing all the weight of his body while the left foot is relaxed. -It is said to be the hero Achilles -Theorists believed that the basic unit was the length of the figures index finger or the width of the figures hand across the knuckles; others think it was the height of the head from chin to hairline. -S-curve -High classical period -spear bearer, idealized, exaggerated The Late Classical Period 400-323 BCE 5. 46 MAN SCRAPING HIMSELF (APOXYOMENOS) 350-325 (VATICAN) -LYSIPPOS -Marble sculpture -Done in the late classical period male nude athlete, which is a typical Classical subject -This is a sculpture in the round that depicts a young athlete after his workout removing dirt and oil from his body with a tool called a strigil. -Has a different canon of proportions than The Spear Bearer. -His head is smaller in proportion to The Spear Bearer and his legs are spread further apart to counterbalance his outstretched arms. -There is a pronounced S- curve to his posture. -The arms break free into the surrounding space inviting the viewer to take in the entirety of the piece. The Early Roman Empire 27 BCE-96 CE P. G. 76-177 ARA PACIS AUGUSTAE 13-9 BCE -Ancient roman art -Dedicated to Augustus’ triumphant return from the capital after three years of establishing Roman rule in Gaul and Hispania. -It was aligned with a giant sundial. -it contained propoganda of portraiture and allegory, religion and polotics and the private and the public. -on the inside of the alter there are foliate garlands suspended in swags from ox skulls, which symbolize sacrificial offering at the alter during annual commemorations and garlands signify the continuing peace and prosperity brought to the Roman world by Augustae. Augustae’s Imperial Family is depicted on the south side of the Ara Pacis and represent his extended family, possibly Marcus Agrippa (far left) who might have been his successor. The child pulling at Agrippa’s robe is possibly Agrippa’s son Gaius Caesar. The women next to Agrippa on the right may be Augustus’ wife, Livia who grasps her younger sons hand (Germanicus) who is in beside Tiberius (the next emporer). Behind Tiberius is Antonia, Augusts’ niece who looks at her husband Drusus (Livia’s younger son). -Pax Romana — Roman Peace -pointifex maximus—high priest 6. 34 6. 5 FLAVION AMPITHEATER (COLOSSEUM) 70-80 CE (ROME) -Tuscan bottom -Ionic middle -Corinthian on top -It was called the colosseum because the statue of Nero called the colossus stood next to it. -seating was by rank lower the rank higher you sat -Early Roman Empire -Flavion dynasty -begun under Vespasian finished under Titus -soldiers would fight animals -tiered seating with good sight lines from where you sit. -Top level covered by and onning -top story in referred to as attic -cartouche —shield shaped ornaments -look at Roman arches High Imperial Art of Trajan and Hadrian 6. 3 8 MODEL OF IMPERIAL ROME 324 CE Colosseum, Temple of Venus and Rome, Arch of Titus, Basilica of Maxentius and Constantine, Rorum of Vespasian, Forum of Augustus, Forum of Julius Ceasar, Rostrum, Forum of Trajan, Basilica Ulpia, Colmn of Trajan, Patheon. 6. 45 THE PANTHEON 118-128 CE (ROME) -It was built for the â€Å"all the gods† -built by Marcus Agrippa son in law of Augustus -it has a giant rotunda surmounted by a huge, bowl-shaped dome. -the oculus that allows light into the rotunda building shows a pattern-like formation when looking up at the coffers in the dome’s ceiling. -Corinthian columns -optimus is a skylight or opening in dome corticoid of columns -Exadraie niche for the statues rectilinear and rounded arches -made out of brick and concrete (powdered lime, small rocks, pebbles, rubble) -produced during high imperial period -Hadrian oversaw building of this he admired Greek art and arch. -podium or steps in front of building that lead to porch -Rotunda and dome -Pantheon means all the gods Early Christian Art P. G. 228 OLD ST. PETER’S BASILICA 320-327 (ROME) -It is a longitudinal-plan churches are characterized by a forecourt, the atrium, leading to an entrance porch, the narthex, which spans one of the building’s short ends. The nave can be lit by windows along its upper level just under the clerestories, called a clerestory above the aisles roof. -At the opposite end of the nave from the narthex is a semicircular projection, the apse, which functions as the building’s focal point where the alter, raised on a platform. -plan is known as the Latin cross CHURCH OF SANTA COSTANZA 350 (ROME) -This church is a central-plan church, which were first used by the Christians. -Central planned churches have an atrium, a narthex, and an apse. It has a central more vertical axis from the center up through the dome, which may have functioned as a symbolic â€Å"vault of heaven†. 7. 15 ORATORY OF GALLA PLACIDIA 425-426 (RAVENNA) -It is one of the earlie st surviving Christian structures in Ravenna is an oratory, which is a small chapel). -Its named after Honorius’ half-sister Galla Placidia. -Galla Placidia was the daughter of Western Roman Emperor, the wife of a Gothic King and the mother of Emperor Valentinian. -This small building is cruciform, which means cross-shaped. -Each arm is covered with a Barrel vault and a pendentive dome covers the square base at its center. it is designed to make you feel as though you are walking from the real world to the supernatural world as you walk into the interior of the church. -the upper walls are filled with standing apostles, gesturing like orators. Eternal life in heaven is symbolized by doves flanking a small fountain between the apostles. -The Marter caries a cross over his shoulder like a trophy gesturing towards the fire-engulfed grill he was roasted on martyrdom. The Gospels are to the left signifying the faith for which he gave his life. 7. 16 THE GOOD SHEPARD 425-426 (RAVEN NA) Jesus is an adult emperor wearing purple and gold royal robes. He wears a golden halo and carries a golden staff that ends in a cross to represent his imperial majesty. -Christianity was the official state of religion for the 45 years this is why the artist chose to depict Jesus in the mosaic. Early Byzantine Art 7. 17 CHURCH OF HAGIA SOPHIA 532-537 (ISTANBUL) -ANTHEMIUS OF TRALLES AND ISIDORUS OF MILETUS -means Holy Wisdom -It was rebuilt after a devastating revolt that killed 30,000 people set fire to the old church burning it to the ground. -Anthemius and Miletus rebuilt the church in just 5 years longitudinal and central architectural planning -flanking conches-semi domes-extend the extend central space into longitudinal nave with the narthex on one end and the half dome of the sanctuary apse on the other. The core called the naos is flanked by side isles and galleries overlooking the naos. 7. 20 CHURCH OF SAN VITALE 520 (RAVENNA) -Ecclesius bishop of Ravenna commissioned tw o new churched one for the port and one the city. -A martyrium is a church built over a grave was dedicated to 4th-century Roman martyr St. Vitalis in the 520’s -central domed octogon with circular rooms flanking the apse. the church and palace are joined by a separate oval narthex and access to second floor gallery. -It has a double set of doors leading into the church. 7. 21-7. 22 CHRIST ENTHRONED, FLANKED BY ANGELS, ST. VITALIS AND BISHOP ECCLESIUS 547 ( RAVEENA) -Early Byzantine Art -Christ is flanked by St. Vitalis and Bishop Ecclesius. -Christ appears dressed in imperial purple and enthroned on an orb of paradise, which is evident because of the 4 rivers that flow beneath him. -two winged angels flank him, like imperial bodyguards or attendants. -Christ holds a scroll with 7 seals at his Second Coming at the end of time. he offers a crown to martyrdom (far left) labeled by St. Vitalis. -Bishop Eucclesius holds a model of the church offering it to Christ. 7. 23 EMPEROR J USTINIAN AND HIS ATTENDANTS, NORTH WALL OF APSE 547 (RAVENNA) -Early Byzantine Art -Justinian carries a large golden paten that will be used to hold the Eucharitic Host and stands beside Maximianus, who holds a gold jewel encrusted cross. The priests to the right hold carry the Gospels, in a golden jeweled book that symbolizes the coming of Word, and a censer with burning incense to purify. 7. 24 EMPRESS THEODORA AND HER ATTENDANTS, SOUTH WALL OF THE APSE 547 (RAVENNA) -Early Byzantine Art Theodora wears a golden halo and elaborate crown while she stands under a fluted shell canopy, she carries a jeweled golden chalice. -The rulers present these gifts as offerings to Christ -At the bottom of Theodora’s cloak the three Magi who brought gifts to Jesus are depicted. -Revolves around themes of offering -They stand beside a fountain and the open doorway and curtain are space-creating devices. 7. 35 CHRIST PANTOKRATOR AT CREST OF CENTRAL DOME, WITH SCENES FROM THE LIFE OF CHRIST IN THE PENDENIVES, (GREECE) LATE 11TH CENTURY -Early Byzantine Art The image of the Pantokrator is at the centre of the dome like a divine surveyor. -Christ blesses the segregation with one hand and clutches a massive book in the other. -In the corners piers are four signal life episodes: Annunciation, Nativity, Baptism and Transfiguration. 14. 13 14. 14 PALACE CHAPEL OF CHARLEMAGNE 792-805 (GERMANY) -The Carolingian Empire – Was Charlemagne’s private place of worship. -central octagonal plan with a monumental western entrance block. -It used westwork, which is a structure combined with a ground-floor narthex and an upper level throne room that opened onto the chapel interior. It also opened outside into a large walled forecourt. – The core of the chapel is surrounded by and ambulatory and a gallery on the second floor which rises to a clerestory under the dome and above the gallery. -There are Corinthian columns on the gallery level. -This chapel was clearly insp ired by Byzantine Architecture with the mosaics and patterned multi-colored stone. 14. 16 SAINT GALL PLAN 817 (SWITZERLAND) -The Carolingian Empire -At the center of the Saint Gall Plan is the cloister, which is an enclosed courtyard which opens all the buildings that are most central to the lives of the monks. the large basilican church to the north of the cloister is where monks would gather for communal prayer throughout the day and night. -on the north side of the church there were public buildings. -the monks living quarters were off to the southern and eastern sides of the cloister with the dormitory, refectory and work rooms. – the kitchen, brewery and bakery were attached to the refectory and a huge cellar was on the west side. -Along the East edge there is a hospital, cemetery, and an educational center. 14. 24 DOORS OF BISHOP BERWARD 1015 (GERMANY) -Bronze doors are more than 16 feet tall. Ottonian Europe -cast in the lost wax process -the left side depicted scenes from the Hebrew bible and the right was scenes from the new testament. -It depicts life in paradise, the fall, life in the new world and Eve’s children on the left and Promise of Return to Paradise, The passion, Infancy of Jesus and Mary’s child on the right. -all depicted in low relief Romanesque Art : in the Roman manner P. G. 458 THE PILGRIMAGE ROUTES TO SANTIAGO DE COMPOSTELA -In the 11th and 12th centuries religious pilgrimage became very popular in Western Europe. 15. 7-8 THE ABBEY AT CLUNY 1088-1130 (FRANCE) in the 2nd half of the 11th century there were 200 monks in residence. -The cloister is at the center of the monastic community joining the church with domestic buildings and workshops. -it had elaborately carved capitals and relief sculptures on the piers. -it may have been to direct and inspire the monks thoughts and prayers. -Cluniac monks observed the traditional 8 hours of the Divine Office spread over the day and night. -The church was a basilica with five aisles, double transept with chapels and an ambulatory and radiating chapels around the alter. The nave had a three part elevation -it had pointed arches with Classical ornaments. -there were clerestory windows in each bay and a pointed barrel vault with transverse arches. 15. 9 -10 NAVE, ABBEY CHURCH OF NOTRE-DAME, FONTENAY 1139-1147 – founded by St. Bernard of Clairvaux – no interior decoration because he believed it would be a distraction to the monks – Cistercians led a very austere simple life – Romanesque means in the Rome manner – Feudalism lords owned lands loaned to Basils and bellow Basils were Peasants – Building has simplicity, austerity Windows symbolize the holy trinity- father, son and the holy ghost – Cloister is where the monks gathered – Simple geometric plan with a long bay-divided nave, rectangular chapels off the square ended transept arms and a shallow choir. – There are pointed barrel vaults o ver the nave and pointed arches in the nave arcade and side isle bays. 15. 22 SOUTH PORTAL AND PORCH, SHOWING CHRIST IN MAJESTY, PRIORY CHURCH OF SAINT-PIERRE, MOISSAC 1115 (FRANCE) -Christ in Majesty dominates the tympanum and is a visual of the Second Coming in chapters 4 and 5 of the Revelation. He is enclosed by a mandorla and a halo rings his head -the four winged creatures symbolize the evangelists, Matthew the man, Mark the lion, Luke the ox and John the eagle. -rippling bands may represent waves in the â€Å"sea of class like crystal† THE LAST JUDGMENT TYMPANUM AT AUTUN 1120- 1130 (FRANCE) -GISLEBERTUS -Inscription in Latin on Christ -Mary is enthroned as Queen of heaven and St. Peter bellow is shown with the large keys slung over his shoulder as heavenly gatekeeper. -angel pushes the saved into open archway and into heaven another figure stands beside the angel impatiently waiting to be hoisted up as well. cross and scallop shell identify two bottom figures as former pilgrims and will be a factor in their favor at the last judgment. -hell is represented as a Basilica with the devil emerging capturing sinners for eternal torment -he uses a sharp hook to capture luxuria who is the personification for lust. Gothic Art of the 12th and 13th Centuries 16. 6 WEST FACADE, CHARTERS CATHEDRAL 1134-1260 (FRANCE) -dedicated to the virgin Mary its main treasure is a piece of cloth said to have been worn by the Virgin Mary when she gave birth to Jesus. -It was a gift from Byzantine Empress Irene to Charlemagne surrounding the three doors is the Royal Portal used for important ceremonial entrances -the middle tympanum Christ enthroned in majesty returns at the end of time surrounded by 4 evangelists. The apostles in 4 groups of 3 fill the litel while 24 elders of the Apocalypse line the archivolts. -The right portal is dedicated to the Incarnation and shows Mary in the early life of Christ -in the left portal is the Ascension where Jesus floats up in a cloud supported by angels. -On the top of the three portals Jesus’ life on earth is depicted in a series of narrative scenes. Kings, Queens and prophets from the Hebrew bible are what give the Royal Portal its name. 16. 10-11 NAVE PLAN,CHARTERS CATHEDRAL 1194 (FRANCE) -Romanesque pilgrimage plan -became typical Gothic structure -it used pointed arches, ribbed groin vaults and flying buttresses. -upper level was now a triform rather than a gallery -the large clerestory windows are formed with lancets that have small circular rose windows done by plate tracery-holes cut in wall replaced with stained glass 16. 12 THE GOOD SAMARITAN WINDOW 1200-1210 (CHARTERS CATHEDRAL) -On sin and salvation and is Gothic narrative art -Jesus told his followers to teach a moral truth it is a parody for Jesus’ redemption for humanity’s sins -Adam and Eve’s fall introduce sin into the world and Christ rescues humanity from sin -figures characterize gothic figures because of their da ncelike postures 16. 13 ROSE WINDOW AND LANCETS (CHARTERS CATHEDRAL FRANCE) 1230-1235 -quatrefoils are four lobed designs within the rose itself – The North Rose and its five lancet windows were a gift from Queen Blanche of Castille in 1230. -The rose window depicts the Glorification of the Virgin: Virgin and Child surrounded by doves and angels, then Old Testament kings and Old Testament prophets. Lancets, from left to right: Melchizadek and King Saul; King David and King Jeroboam; St Anne and the infant Mary with the arms of the Royal House of France; King Solomon and King Nebuchadezzar; Aaron and Pharaoh. 16. 14-17 THE CATHEDRAL OF NOTRE-DAME IN REIMS 1211-1428 (FRANCE) -finished under Philip the Fair -five master masons directed the work over a century. -Mary is featured in the central portal, because of the growing popularity of her cult. -Christ crowns her as queen of heaven in the central gable. -â€Å"the gallery of kinds is the only horizontal element of the facade. WEST FACADE -It depicts Visitation and Mary on the left and Elizabeth pregnant with St. John the Baptist on the right. -the figures are in contrapposto pose because their weight is shifted to one foot as they turn towards each other. -Villard highlighted an innovation that was the development of bar tracery, where thin stone bars called mullions are inserted into the wall to form a lacy framework for the stained glass. 16. 31-32 PULPIT 1260 (ITALY) -NCOLA PISANO – Corinthian columns -elevated and are carved in design of animals -gothic trefoil arch and 6 sided pulpit enunciation angle of Gabriel announces that Mary is pregnant with Christ -classical and naturalistic style -New Testament Subjects -Each panel narrates several continuous scenes such as : Annunciation, Nativity and Adoration of the Shepherds. 16. 33 NATIVITY 1302-1310 (PISA) -GIOVANNI PISANO – deeply carved setting -Mary gazing at her baby as the midwife below her prepares the bath for the child. -Sheep, sh epherds and angels spiral up towards the trees to the right -it is as dynamic as Nicola’s is static. Fourth Century Art in Europe 17. 5 VIRGIN AND CHILD ENTHRONED 1280 (FLORENCE) -CIMABUE -tempera and gold on wood panel the Virgin and Child are surrounded by angels and places a row of Hebrew prophets below them. -Mary is depicted in hierarchy and holds Jesus on her lap. – she looks at the viewer while gesturing at her son. -her throne is bronze with enamels and gems inset and provides framework for the figures. He uses thin gold lines to highlight the drapery of the figures to give them a sense of divinity. -he gives naturalistic warmth and dimension to his human figures. 17. 6 VIRGIN AND CHILD ENTHRONED 1305-1310 (FLORENCE) -GIOTTO DI BONDONE – tempera and gold on wood panel -painted for the church of Ognissanti figures are in a symmetrical composition and use the hierarchy scale like Cimabue’s Virgin and Child Enthroned. -Mary takes up a large amount of space and overwhelms her Gothic throne. -the halos also overlap the faces of the figures in the background -she holds her child’s leg instead of pointing to him. -he has created a better sense of dimension compared to Cimabue’s -the angels are foreshortened and project towards us. 17. 7 SCROVEGNI (ARENA) CHAPEL 1305-1306 (PADUA) -GIOTTO DI BONDONE -fresco -he covered the entrance wall with The Last Judgment and the sanctuary wall with 3 scenes from the life of Christ. The Annunciation spreads over two painted architectural frameworks on either side of the opening to the sanctuary. -below and to the left of this is the scene of Judas getting payment for betraying Jesus and to the right the scene of Visitation where Mary pregnant with God is with Elisabeth who is pregnant with John the Baptist. -Colors complement each other, which is supposed to make the viewers relate them to each other -there is a grisaille which is a painting done in all grays -paint replicated marbl e and carved medallions on vertical bands -portrait disks float like glowing moons in the blue sky. 17. MARRIAGE AT CANA, RAISING OF LAZARUS, LAMENTATION AND RESURRECTION/NOLI ME TANGERE 1305-06 (PADUA) -GIOTTO DI BONDONE -fresco -scene from Christ’s life -top left Jesus performs his first miracle, at the wedding feast at Cana turning water to wine and the wine-steward sips it. -to the right is the Raising of Lazarus where figures twist in space using gestures they react to the drama by pleading for the help of Jesus. Jesus’ eyes are locked on Lazarus. -on the lower left register is Jesus’s followers grieving over his dead body in a circle of grief. Mary holds her dead son and John flings his arms back in despair and hunches over the corps. 7. 9 KISS OF JUDAS SCROVEGNI (ARENA) ITALY 1305-06 -GIOTTO DI BONDONE -fresco – the mark of betrayal that shows the first step to Crucifixion for Jesus. -they are slightly off-center in the foreground. -Judas wears the same outfit as in the scene of payment for his betrayal and looks as though he completely swallows Christ’s body. -faces glare from all directions -Jesus is calm unlike the figures in the rest of the scene. -Peter is seen lunging forward to cut off the ear of a member of the arresting retinue. -The scenes of cloth compress the chaos into the picture as if to protect the viewer. How to cite Art History Study Notes, Essay examples

Women In Television Essays - Gender Studies, The Brady Bunch

Women in Television The role of women in television has had an impact important on humanity and on life in America. The image of women in situation comedies has changed. Women in our society have played many roles. During this period from the decades of the 1950's through the 1990's, women started getting their own jobs and got better schooling. The roles of women as portrayed in popular American television have changed from that of humiliating, degrading images to those of dignity and respect. In the series, the ?Brady Bunch?, Carol Brady, cast as the role of the mother, is portrayed as a person who dedicates her entire life to her family. Her activities are family centered. It does not appear that she has employable skills, or that she would choose to go into the work world. She is not portrayed as a decision-maker but waits until her husband comes home to make decisions. Alice, A very strong ?maid? who virtually makes decisions about running the household, supports her management of her home. A great emphasis is placed on Mrs. Brady's physical attractiveness. In contrast, the series ?Home Improvement? has a mother who is strong and makes all the decisions of the household. Compared to Mrs. Brady's portrayal, the mother is a powerful and hard working mother and wife for both her boys and her husband. She portrays the major influence that working women have on American society today. The foci on women on television have changed since the 1950's, giving women more powerful images. Today, in the 1990's, women have shown that their standards are for excellence in both work and home. Educational background is more important than sex appeal. Indeed, the image of women portrayed in television since the 1950's has improved to one of dignity and respect.